Email firstname.lastname@example.org for address and Invitation to the Private View May 12th 6.30-9pm‘Drawn in Light – Published on Paper ‘ is an exhibition of iPad paintings by Kim Valdez, many of which originated as Pen and Ink landscape drawings. Others are drawings made entirely on the iPad using a pressure sensitive stylus.
Archival quality prints in various sizes will be available from £100.00 upwards.
A joint exhibition by Rob Verrill and Judy Gilley
Saturday and Sunday 19/20th November 10-5pm at the Avondale Gallery
Rob Verrill is a well–known North London art teacher and artist who describes painting ‘as a journey of discovery, taking risks and not being sure where you going to end up’
Judy Gilley is an artist and curator who established the Avondale Gallery in 2013. The Dovedale Arts Festival showcased her paintings of Derbyshire in June 2016
‘Ivon Hitchens and other influences’ – an illustrated talk
Sunday 27th November 10.30-1pm at the Avondale Gallery
Ivon Hitchens, considered one of the finest British landscape painters of the twentieth century has been, amongst others, an influence on Rob’s journey as a painter. His abstract landscapes have also had a profound effect on Judy’s work. Rob and Judy will discuss his and others’ influence on them. The event will also include a short film and an illustrated talk on Hitchens.
Places are limited, tickets £5.00 email email@example.com to reserve your place.
Coffee and pastries from 10.30
Raffle of book on Hitchens
Sale of Christmas cards
Mark Rochester has exhibited widely in Devon where his paintings are well known and appreciated.
This year Mark had two paintings accepted for the 2016 RA Summer Exhibition – and because we had spotted his lovely work a couple of years ago we had already planned to bring him to London for a solo show – ‘En Plein Air’ held at The Crouch End Gallery on Oct 8/9th.
The Crouch End Gallery was delighted to show his arresting and beautiful painting and even more delighted that people flocked to Crouch End in order to see and to buy them!
Scoop! We bring a star of the RA Summer Exhibition to his first solo show in London!
Mark Rochester was featured in the June 11th issue of Radio Times- then his two paintings were sold even before the RA Summer Exhibition opened – and because we spotted his lovely work a couple of years ago, you can join his growing audience and view his work here in Crouch End! Save the Date: Oct 8/9th 10.30-5 pm
Andrea Kim Valdez showed her acrylic sculptures at The Crouch End Gallery
‘Amazonian Fruit’ by Kim Valdez
Continuing the theme of the rainforest previously explored in her memorable room installation ‘Ecos de Las Amazonas’, Kim transformed The Crouch End Gallery into a suitable habitat for her latest ‘Live Edge’ acrylic sculptures featuring exotically coloured macaws and other work inspired by the plants and flowers of the rainforest.
Kim says ‘ The sculptures are made of a special acrylic sheet and exploit the power of this medium to catch normal daylight, making the colours glow along the edges. They can look even better under ultraviolet spotlights.’
Following the success of our Charity event last December, we developed a very special show for December 5/6th 2015. The print above, ‘Oui’ by Sarah Garvey was the prize for our Christmas raffle. It was won by Mari Lanson.
The show introduced our audience to the work of ten talented artists working in various printmaking media – Screen printing, Woodcut, Linocut, and several different Etching processes.
Paris reflection – Barbara Jackson
Lake Petan- Kim Valdez
L’extase – Lydie Gallais
Stream – Martin Davidson
Violinist – Berry Birdsall
Get Lost – Richard Peacock
Paper Moon – Sarah Garvey
Cockeral – Janet Gardner
Read more about our artists under the Printmaking Unwrapped sidebar
“Paint and Pixels” will be showing on September 4th/5th/6th at the Avondale Gallery. Invitations will be sent out in early August to Friends of Front Room Art.
“Paint and Pixels” is a joint exhibition of Judy Gilley’s gouache still lives and Kim Valdez’s iPad paintings from the Amazon.
Kim and Judy will both be present to discuss their work, and Kim will be pleased to demonstrate drawing on the iPad.
More about the exhibition The traditional medium of gouache is combined in Judy’s paintings with a bold design element that explores unusual juxtapositions in domestic interiors. Kim’s iPad prints bring the domestic into dialogue with a concern for the fragility of nature in the wider world .
Printed with archival inks on Hahnmuhle German Etching paper, these digital prints are derived from drawings made on the Ipad using the Brushes app. This app allows images to be built up from a variety of sources. I have scanned and included original pen and ink or pencil drawings I made on my visits to the Amazon, as well as photographs I took there.
The final image is made from multiple layers – one layer being the drawing I have made directly on the Ipad.
Each layer on the iPad can be treated separately in terms of transparency, colour and relationship to the layers above or below. The final composite image is one possibility amongst hundreds that I as an artist choose to print.
This image collection, which is titled ‘Wilderness’, represents our ambiguous and potentially disastrous relationship to nature. Orchids today are one of the most popular houseplants, and my drawings were made from these. On the other hand are the real rainforests and wilderness places where Orchids originate, and these, like the layers of drawing on the iPad, are being transformed and disappearing from view.
Michael Kirkbride will be known to many of you for his award winning works. A graduate of the Royal Academy Schools and member of The New English Art Club, his work is primarily about invention, conjuring from the mind’s eye, yet with its foundations in observational drawing. Michael has been working on a new series of watercolours specifically for this exhibition which will also include a selection of his oil paintings. Judy will also be showing new work. Although her landscapes differ in many respects from the visible reality, she hopes that many people will recognise something important for themselves in the paintings, not literally but as an experience or a state of mind.